American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
Prince Rogers Nelson, in fact, never left Minneapolis, where a small tradition of blues and R & B gave him all of the inspiration he needed. Capturing a major record deal in his early twenties, Prince spent months in the recording ...
Jazz, rap, funk, R&B, and even techno have roots in African American culture. This volume chronicles the history of African American music, with spotlights on influential black musicians of the past and present.
LENARD C. BOWIE, DMA ASSOCIATE PROFESSOR OF MUSIC, RETIRED THE UNIVERSITY OF NORTH FLORIDA JACKSONVILLE , FLORIDA Dr. Lenard C. Bowie has developed an enviable reputation as a consummate musician.
pessimistic, concluding that the Gribble, Lusk, and York trio formed the last remaining black string band ... Joe Thompson continues to perform string band styles he learned from older relatives in the North Carolina Piedmont area.
Lomax states that the recording trip, which included himself, Hurston and New York University Professor Miss Mary Elizabeth Barnicle, had moved through Georgia and Florida. Lomax also states that although Hurston was unable to travel to ...
Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their ...
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, ...
African-American Musicians tells the stories of figures such as bluesman Robert Johnson, whose guitar playing was so extraordinary that people said he must have made a deal with the devil; jazz great Duke Ellington, considered one of ...
Fannie Bloomfield-Zeisler: The Life and Times of a Piano Virtuoso Beth Abelson Macleod Cybersonic Arts: ... Burleigh: From the Spiritual to the Harlem Renaissance Jean E. Snyder Music in the Age of Anxiety: American Music in the Fifties ...
Bergman, Peter. 1969. The chronological history of the Negro in America. New York: Harper & Row. Berlin, Edward A. 1980. Ragtime: A musical and cultural history. Berkeley: University of California Press. Berry, Jason. 1988.