American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
Keyboards and bass and guitar licks move about and share the center in Dynasty's tunes. The group's inability to chart on Billboard's Top 40 has overshadowed Dynasty's charisma and rich musical catalog. Present-day interests may very ...
Prince Rogers Nelson, in fact, never left Minneapolis, where a small tradition of blues and R & B gave him all of the inspiration he needed. Capturing a major record deal in his early twenties, Prince spent months in the recording ...
brother , Elder Willie James Campbell , pastored St. James ; he had inherited this responsibility following the untimely death of their father , who had founded the church decades earlier . Elder Campbell's nephew manned the B - 3 ...
Jazz, rap, funk, R&B, and even techno have roots in African American culture. This volume chronicles the history of African American music, with spotlights on influential black musicians of the past and present.
So James Brown wanted to hire me as his drummer, Ben E. King wanted to hire the guitar player, and James also wanted the keyboard player, and Garnet wanted the saxophone player. Anyway, after we finished that night, I called my dad.
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, ...
African American Music: A Chronology : 1619-1995
In this spirited collection, you'll meet more than thirty African Americans who have forever changed America's musical landscape.
This text introduces the various types of Pan-African music, from Africa to the Americas.
Lomax states that the recording trip, which included himself, Hurston and New York University Professor Miss Mary Elizabeth Barnicle, had moved through Georgia and Florida. Lomax also states that although Hurston was unable to travel to ...