Tenth Street in the 1950s had become a center of the cities’ burgeoning arts community. The surrounding area formed a social hub of studios and artist run cooperative galleries where Abstract Expressionism ruled the day. The critic and curator Irving Sandler was a key figure as a critic and friend to many artists as well as an employee of the influential Tanager gallery. Sandler was also an active presence at the famous Artists Club. Although known for his early championing of the Abstract Expressionists, he befriended a younger generation of artists that reacted against the rhetoric of gestural abstraction, the leading style of Tenth Street. Chief among Sandler’s core were Ronald Bladen, Mark di Suvero, Lois Dodd, Al Held, Alex Katz, Alice Neel, Philip Pearlstein and George Sugarman.
FROM 1947 TO 1951, more than a dozen Abstract Expressionists achieved "breakthroughs" to independent styles. 1 During the following years, these painters, the first generation of the New York School, received growing recognition nationally ...
Irving Sandler's second memoir details his experiences as an art critic in New York city from the 1950s to the present.
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period.
The setting is downtown New York. The novel follows the careers and interactions of four artists of different generations and styles—two first generation abstract expressionists and two younger painters.
"A fine, firsthand appreciation of the accomplishments, antagonisms, foibles, and failings of the hosts that made the scene that Sandler has spent his life chronicling and celebrating." --Artforum
The Irascible Eighteen
"Sandler covers the art, artists and movements of the sixties--Painterly and Post Painterly Painting, Pop Art, New Perceptual Realism, Op Art and Kinetic Sculpture, Minimal Sculpture, Construction Sculpture, Eccentric and...
Al Held, 1954-1959: Paintings from the Years 1954-1959
Irving Sandler, the preeminent chronicler of postwar American art, returns to the subject with this new study drawing fresh conclusions about Abstract Expressionism that he has arrived at since his first publication of the movement 1970.