Subversive Champagne re-examines the 1960s cult television series, The Avengers, through a close analysis of 25 filmed episodes. The book examines how The Avengers - during the classic Emma Peel era (1964-1967) - was continually shifting the boundaries of audience expectation, defying both genre classification and viewers' traditional desire for kitchen sink drama. Subversive Champagne centres on eighteen episodes from the monochrome Peel Season 4 - widely acknowledged as the artistic pinnacle of the series. It is in this era - caught between video-tape and colour film - that The Avengers was undergoing arguably its most profound stylistic and thematic transitions, from mild eccentricity to something genuinely experimental. The author extends his journey into the exhilarating but 'uneven' colour Season 5, adding chapters on seven more episodes, thus allowing us to explore the entire Emma Peel era. Entertaining froth or groundbreaking art? Rediscover the most iconic show in television history.
Subversive Champagne centres on eighteen episodes from the monochrome Peel Season 4 - widely acknowledged as the artistic pinnacle of the series.
Vladek Sheybal's 'Great Zarcardi' has a magnetic screen presence, in stark contrast to many of The New Avengers' diabolical enemies: “My life's work, my life's dream...an army, a vast army, my army. He who controls the birds controls ...
Bright Horizons
Some of Clemens' changes work well, such as the use of Steed's umbrella as the recording device, rather than Marshall's standard portable tape-recorder. (Whether the subsequent 'twiddly-dee' decoding is deemed amusing or silly is simply ...
An important feature of Avengerland is the stark lack of competent locksmiths. Obviously they were the first to die when diabolical masterminds started their combined bid to control the fortunes of the world, because they certainly seem ...
... in stark contrast to the subversive, darker drama which tends to dominate. It also provides an interesting juxtaposition with the Crayford/Penny scene. After all, Gambit – like Crayford – has had to play second fiddle to Steed.
Wolf's Hook is a factionalised account of the Das Reich attack on a hillside village. It recaptures the essence of what happened that day, using four first-person narrative strands: a waiter, a young boy, an SS soldier and a grandmother.
... present and possible future. As Moira and Willard, Rosemary Nichols and Donald Sutherland were perhaps not the types envisaged by Broadley in his screenplay, Nichols appearing too maturely intelligent to play the girlishly 73.
More than a quarter of a century later, Rankin and Rebus have a global following. The series has been both critically acclaimed and commercially popular. Detective John Rebus is anything but conventional.
He has produced six books about this iconic 1960s television drama: Subversive Champagne, a study of the Emma Peel era; Adventure & Comic Strip: Exploring Tara King's The Avengers; Making It New? A reappraisal of The New Avengers; ...