This book illuminates how technique serves 'story logic,' the particular way fiction makes meaning. Writers raid the cupboard of theory looking for what works, and generic rules don't account for the rich variety of strategies they employ. For writers who are past the beginner stage, Brady offers a closer look at craft fundamentals, including plot, characterization, patterns of imagery, and style. The lively, lucid discussion draws on vivid examples from classic and contemporary fiction, ranging from George Eliot and William Faulkner to Haruki Murakami and Toni Morrison. Because it supplies the analytical tools needed to read as a writer, this text will enrich the reader's approach to any work of fiction, energizing discussion in a workshop or craft course.
All of Brady's stories are gritty and unflinching in their gaze, yet lyrical and rich in the imagery of stasis and change. There is much to learn in these tales of flawed but good people working hard to hold their lives together.
" And the reader is hooked. But whether or not readers will stay on for the entire wild ride will depend on how well the writer structures the story, scene by scene. This book is your game plan for success.
Storytelling—how to catch and hold a reader’s interest through artful narration of factual material William E. Blundell, one of the best writers on one of America's best-written papers—The Wall Street Journal—has put his famous ...
Architecture of the Novel derives from the many years Vandenburgh has spent teaching the craft of fiction writing. Her method points to the elemental nature of narrative: A story consists of its events, which are told in scenes.
Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing.
A relatable novel about unrequited love, rock 'n' roll, and what you find when you go searching for yourself.
" The answer is simple: He sat alone at his desk, considered an array of options, and made smart, careful choices. &break;&break;In Alone With All That Could Happen, award-winning author and respected creative writing professor David Jauss ...
"This guide reveals how writers can take advantage of the brain's hard-wired responses to story to captivate their readers' minds through each plot element"--Provided by publisher.
1993. Offered annually since 1993 for unpublished work to recognize and promote long short stories of 8,000-14,000 words (about 30-50 pages). Sample of previous winner: $6.95, including postage. Open to any writer, no restrictions on ...
London: Longman Pearson. Semino, Elena (2006) 'Metaphor and Fictional Minds'. In R. Benczses and S. Csabi (Eds) The Metaphors of Sixty. Budapest: Eötvös Loránd University Press. Semino, Elena (2007) 'Mind Style 25 Years On'.