Through a collection of original essays and case studies, this innovative book explores theory as an accessible, although complex, tool for theatre practitioners and students. These chapters invite readers to (re)imagine theory as a site of possibility or framework that can shape theatre making, emerge from practice, and foster new ways of seeing, creating, and reflecting. Focusing on the productive tensions and issues that surround creative practice and intellectual processes, the contributing authors present central concepts and questions that frame the role of theory in the theatre. Ultimately, this diverse and exciting collection offers inspiring ideas, raises new questions, and introduces ways to build theoretically-minded, dynamic production work.
This compelling, inspiring book also provides the first ever full-length practical and theoretical guide to this work.
This book merges a traditional Stanislavski-based script analysis with multiple theoretical frameworks, such as gender theory, standpoint theory, and critical race theory, to give students in early level theatre courses foundational skills ...
The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre.
Modern drama in theory and ... /J.L. Styan.-v.3.
Understanding Theatre: Performance Analysis in Theory and Practice
This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance.
Research in Drama Education: The Journal of Applied Theatre and Performance, 14(3), 347–359. Barnes, H. E., & Coetzee, M.-H. (Eds.). (2014). Applied drama/theatre as social intervention in conflict and post-conflict contexts.
... Stage Company at the Royal Court Theatre , 1975 Cunliffe , J. W. , Modern English Playwrights , 1927 Darlington , W. A. , Six Thousand and One Nights : Forty Years a Critic , 1960 Evans , Gareth Lloyd , The Language of Modern Drama ...
This is the task undertaken by the authors of this volume, the first to apply the lexicon and concepts of border theory to theatre history and performance theory.
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__