Rome was a recurring theme throughout Shakespeare's career, from the celebrated Julius Caesar, to the more obscure Cymbeline. In this book, Paul Innes assesses themes of politics and national identity in these plays through the common theme of Rome. He especially examines Shakespeare's interpretation of Rome and how he presented it to his contemporary audiences. Shakespeare's depiction of Rome changed over his lifetime, and this is discussed in conjunction with the emergence of discourses on the British Empire. Each chapter focuses on a play, which is thoroughly analysed, with regard to both performance and critical reception. Shakespeare's plays are related to the theatrical culture of their time and are considered in light of how they might have been performed to his contemporaries. Innes engages strongly with both the plays the most current scholarship in the field.
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This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and ...
This book studies Shakespeare's changing vision of Rome in the six works where the city serves as a setting.
169. 71 Ibid., p. 170. 72 A.H. Mason, 'Antony and Cleopatra: telling versus showing', in John Russell Brown (ed.), Shakespeare: 'Antony and Cleopatra' (Casebook Series, Macmillan, London, 1968), p. 208. 73 John Middleton Murry, ...
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Th' Interpretation of the Time: The Dramaturgy of Shakespeare's Roman Plays
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Contributors to this collection delve into the relationship between Rome and Shakespeare.
Watson, R.N. (1984) Shakespeare and the Hazards of Ambition. Cambridge MA: Harvard University Press. Wayne, V. (ed.) (1991) The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ithaca: Cornell University Press.
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976).