"The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume spans the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history"--
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century.
113–124 , and Robert T. Elson , Time Inc .: The Intimate History of a Publishing Enterprise 1923-1941 ( New York ... 83-90 ; James Baughman , Henry R. Luce and the Rise of the American News Media ( Boston : Twayne , 1987 ) , p .
Huerta; a Political Portrait
Peter Hannaford was probably the man "most inside" during Ronald Reagan's historic campaign for the presidency of the United States. He was partner in Deaver and Hannaford, Inc., the public...
For the rest of the decade deputy editors Mostyn Lloyd and G. D. H. Cole struggled to combine academic careers with re-establishing the discredited New Statesman as the voice of the left.
"Accompanies the exhibition of Leon Golub's political portraits at the National Portrait Gallery, London, March-September 2016" - introduction.
The first in-depth look at Staël's political life and writings Germaine de Staël (1766–1817) is perhaps best known today as a novelist, literary critic, and outspoken and independent thinker.
Earl, she concludes, should be credited with playing the propagandistic role of image-shaper ... long before such a position existed within American presidential politics.
A national bestseller from acclaimed author Iain Pears, The Portrait is a novel of suspense and a tour de force.
In Ike and Dick, Jeffrey Frank rediscovers these two compelling figures with the sensitivity of a novelist and the discipline of a historian.