Silverpoint, and metalpoint more generally, is the practice of marking with soft metal on a specifically prepared drawing surface. Practiced for centuries, the artform is experiencing a resurgence in recent years, with contemporary work exploring abstract as well as realist, conceptual as well as traditional. Silverpoint and Metalpoint Drawing is the essential manual of metalpoint technique, written by Susan Schwalb and Tom Mazzullo, contemporary masters of the medium. This book is the first treatise on the subject for artists and art teachers with chapters on early history, materials including grounds, supports, metals, and tools, techniques for working in metalpoint as well as mixed media, and finally, the care of metalpoint works. Not only beautifully illustrated, this book also demonstrates how to photograph and exhibit metalpoint art. Featuring a gallery of drawings by contemporary artists, along with their tips and insight, Silverpoint and Metalpoint Drawing is a perfect introduction for students of the medium and an inspiration for those already more familiar with it.
1508 silverpoint, brush and black and brown ink, over charcoal and leadpoint heightened with white on white prepared paper 511/16 ×41/16 (14.4 × 10.3) National Gallery of Art, Woodner Collection, 1991.182.18, a,b Literature: Rowlands ...
Intrigued by the progression of flowering in a patch of Chelone, Gillian Harris gave some thought to how best to portray it. To capture the transition in color of the developing flowers, the central inflorescence is portrayed in ...
This book reviews the history and historiography of metalpoint and its use for drawing and writing.
A comprehensive guide to painting in egg tempera.
Creative exercises illustrated by old and modern masters including da Vinci, Michelangelo, Durer, Degas, Picasso, de Kooning, Dine, and Rauschenberg.
This origin story of history'smost vivid color pigmentsis perfect for artists, historybuffs, science lovers,and design fanatics.
MULLER 1571—1628 101 Embracing Couple (Mercury and Lara?) Black chalk, pen and brown ink, brown wash, and white gouache heightening; H: 18.7 cm (7%; in.); W: 21.7 cm (89/16 in.) 86.GG. 595 MARKS AND INSCRIPTIONS: At bottom, ...
Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free ...
“a Taxonomy of Touch: Tactile encounters in renaissance italy.” in Sculpture and Touch. edited by Peter Dent, 91–106. Surrey, uK, 2014. Jolly, anna. Madonnas by Donatello and His Circle. Frankfurt am main, 1998. Jones, Lars r.
This ground-breaking book explores a substantial number of Leonardo's most celebrated drawings in unprecedented detail.