This book examines Jacques Copeau, a leading figure in the development of twentieth-century theatre practice, a pioneer in actor-training, physical theatre and ensemble acting, and a key innovator in the movement to de-centralize theatre and culture to the regions. Noe reissued, Jacques Copeau combines: an overview of Copeau's life and work an analysis of his key ideas a detailed commentary of his 1917 production of Moliere's late farce Les Fourberies de Scapin – the opening performance of his influential New York season a series of practical exercises offering an introduction to Copeau's working methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student.
Jacques Copeau's Friends and Disciples brings to light the support Copeau received from a diverse group of personalities without whom his undertaking would not have been possible: Otto H. Kahn, financier and supporter of the arts; Mrs.
Copeau: Texts on Theatre
9 of the Euvres complètes . This volume contains approximately 8 pages of text which do not appear in the Euvres complètes version . These pages ( p . 279-83 ; 291– 94 ) cover entries for April and May 1890 . Pierre Louÿs ( i.e. Pierre ...
( 2008 ) Jacques Copeau's Friends and Disciples : The Théâtre du Vieux - Colombier in New York City , 1917–1919 , New York : Peter Lang . Dorcy , Jean ( 1961 ) The Mime , trans . Robert Speller , Jr. and Pierre de Fontnouvelle ...
London: MacGibbon and Kee, 1950. Markova, Elena. Off Nevsky Prospekt: St Petersburg's TheatreStudios in the 1980s and 1990s. Translated byKate Cook.Amsterdam: Harwood Academic Publishers, 1998. Meierkhol'd, V.E. Meierkhol'dovskii ...
Bentley, Eric (1950) 'Copeau and the Chimera', Theatre Arts, January, 34: 1, 48–51. ... (2008) Jacques Copeau's Friends and Disciples: The Théâtre du VieuxColombier in New York City, 1917–1919, New York: Peter Lang.
He clearly does not mean strict mime in the French tradition because Act Without Words is all about the silent player's encounter with a visible , tactile environment and props . 27 Ever since Decroux , French mime has lured performers ...