""One of our most original social thinkers,"" according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology.Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture.This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another.
This work aims to show that sociology is indeed an art form, one that had strong kinship with literature, painting, Romantic history, and philosophy in the 19th century, the age in which sociology came into full stature.
Introducing the fundamental theories and debates in the sociology of art, this broad ranging book, the only edited reader of the sociology of art available, uses extracts from the core foundational and most influential contemporary writers ...
As a result, more child prodigies in chess or mathematics are discovered than are youthful stars in aesthetic innovation or historical scholarship. It is not that more children possess the cognitive abilities in mathematical or chess ...
Partisan Review (Spring). McGee, Micki. 2005. Self-Help, Inc.: Makeover Culture in American Life. New York: Oxford University Press ... Mills, C. Wright. 1951. White Collar: theAmerican Middle Classes. New York: Oxford University Press.
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Fact and Symbol embodies Graa's views of the enterprise of cultural sociology in which both words are given equal play.
In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves.
This is the definitive analysis of art as a social and perceptual system by Germany's leading social theorist of the late 20th century.
Gravity's ghost and big dog: Scientific discovery and social analysis in the twenty-first century. (Chapter 17.) Chicago: University of Chicago Press. 9 Collins, H. (2011). Gravity's ghost: Scientific discovery in the twenty-first ...
The Sociology of Art and Literature: A Reader