Venetian artistic giants of the sixteenth century, such as Giorgione, Vittore Carpaccio, Titian, Jacopo Sansovino, Jacopo Tintoretto, Paolo Veronese, and their contemporaries, continued to shape artistic development, tastes in collecting, and modes of display long after their own practices ended. The robust reverberation of the Venetian Renaissance spread far beyond the borders of the lagoon to inform and influence artists, authors, and collectors who spent very little or even no time in Venice proper. The Enduring Legacy of Venetian Renaissance Art investigates the historical resonance of Venetian sixteenth-century art and explores its afterlife and its reinvention by artists working in its shadow. Despite being a frequently acknowledged truism, the pervasive legacy of Venetian sixteenth-century art has not received comprehensive treatment in recent publication history. The broad scope of the topics covered in these essays, from Titian's profound influence on the development of landscape painting to the effects of Carpaccio's historical paintings on early twentieth-century fashion, illustrates the persistence and adaptability of the Venetian Renaissance's legacy. In addition to analyzing the effects of individual artists on each other, this volume offers insight into the shifting characterizations and reception of Venice as a center for artistic innovation and inspiration throughout the early modern period, providing a nuanced and multifaceted view of the singular lagoon city and its indelible imprint on the history of art.
For upper-level undergraduate courses in Italian Renaissance Art. "Art mattered in the Renaissance... People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect...
In its recalibration of gender imbalances, this impressive volume offers an alternative view of the history of European art and sheds light on the collaborative nature of the creation of individual works and the interconnected histories of ...
5, Italian Fifteenth- to Seventeenth-Century Drawings. New York, 1991. fornasiero 2016 Fornasiero, Alice. “Reconstructing The Flagellation of Christ by Jacopo Tintoretto atthe Prague Picture Gallery.” UmeníArt 64, no.
This up-to-date, well illustrated, sensitive introduction to the life and works of one of the giants of Western painting also surveys the golden age of Venetian painting from Bellini to...
This visualization of political ideals, and its reciprocal effect on the civic imagination, is the larger theme of the book.
This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries.
Vermeer and the Art of Love is about the emotions evoked in those elegant interiors in which a young woman may be writing a letter to her absent beloved or playing a virginal in the presence of an admirer.
Unlike the other two master Renaissance painters associated with Venice, Titian and Veronese, Tintoretto (1519-94) alone was born in Venice and he left his mark there more than either artist....
A richly illustrated, comprehensive introduction to the visionary artist William Blake. William Blake (1757–1827) is a universal artist—an inspiration to musicians, poets, performers, and visual artists worldwide.
This book shows how Palladio studied and reinterpreted the architecture of antiquity, how he developed his ideas, how his message spread, and how Palladianism developed.