Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.
Slavery, Geography and Empire in Nineteenth-century Marine Landscapes of Montreal and Jamaica
It is this essential contestability of the limit which distinguishes punishment from violence that this book addresses.
23 See John Fleming, Robert Adam and his Circle in Edinburgh and Rome (London: John Murray, 1962). ... 33 Joseph Bonomi quoted in Eileen Harris, The Genius of Robert Adam: His Interiors (New Haven, CT: Yale University Press, 2001), p.
"The book focuses on the history of Jamaica during the years between Tacky's Revolt, the American Revolution, and the beginnings of parliamentary abolitionist legislation in 1788"--
Journal of Historical Geography 22: 253–73. Powell, Joe M. (1996b). Origins of modern environmentalism. In Ian Douglas, Richard Huggett and Mike Robinson (eds.), Companion Encyclopedia of Geography: The Environment and Humankind.
In this volume, emerging and established scholars bring ethical and political concerns for the environment, nonhuman animals and social justice to the study of nineteenth-century visual culture.
This sourcebook collects a variety of documents, including runaway-slave advertisements, letters, court cases, and official government documents, offering readers an opportunity to explore black slavery in the Maritimes and revise their ...
29 George H. Junne, The History of Blacks in Canada: A Selectively Annotated Bibliography (Westport, CT: Greenwood, 2003); Smardz Frost, “Sources and Resources”; Hilary Bates Neary, “A Bibliography of Fred Landon's Writings on Black ...
Though legislative and policy changes have been introduced to better manage asylum applications, the Irish state's ability to process applicants is in crisis (Arnold et al., 2018; Irish Refugee Council, 2020b). Amid efforts to clear the ...
Bangura, “Rethinking History and Freetown Historiography,” The Temne of Sierra Leone: African Agency in the ... For the history of this transition, see also Everill, Abolition and Empire in Sierra Leone and Liberia, 1–13, 107–127. 33.