Since the emergence of rock'n'roll in the early 1950s, there have been a number of live musical performances that were not only memorable in themselves, but became hugely influential in the way they shaped the subsequent trajectory and development of popular music. Each, in its own way, introduced new styles, confronted existing practices, shifted accepted definitions, and provided templates for others to follow. Performance and Popular Music explores these processes by focusing on some of the specific occasions when such transformations occurred. An international array of scholars reveal that it is through the (often disruptive) dynamics of performance - and the interaction between performer and audience - that patterns of musical change and innovation can best be recognised. Through multi-disciplinary analyses which consider the history, place and time of each event, the performances are located within their social and professional contexts, and their immediate and long-term musical consequences considered. From the Beatles and Bob Dylan to Michael Jackson and Madonna, from Woodstock and Monterey to Altamont and Live Aid, this book provides an indispensable assessment of the importance of live performance in the practice of popular music, and an essential guide to some of the key moments in its history.
Instead of dismissing emotional response and personal taste as inaccessible to academic critics, Frith takes these forms of engagement as his subject—and discloses their place at the center of the aesthetics that structure our culture and ...
See Georgina Boyes, The Imagined Village (Manchester: Manchester University Press, 1993), p. 105. Cantwell, “When We Were Good,” p. 57. MacKinnon, The British Folk Scene, pp. 19, 40, 53. Boyes, The Imagined Village, p.
This book explores the fundamentals of popular music performance for students in contemporary music institutions.
53 ELVIS PRESLEY Henry Pleasants Source : Henry Pleasants ( 1974 ) The Great American Popular Singers , London : Victor Gollancz , pp . 263-78 . During the lunch hour , one day in the summer of 1953 , Elvis Aron Presley , then eighteen ...
... Penny , 178 “ Wake Up Little Susie ” ( Everly Brothers ) , 190 Wakin , Daniel J. , 245n63 Wanderley , Marcelo M. ... See also race Wiener , Jon , 185–86 Williams , Hank , 143 Williams , Hype , 219 Williams , Larry , 186 Williams ...
In this new study, David Pattie examines the apparent contradiction between authenticity and theatricality in the live performance of rock music, and looks at the way in which various performers have dealt with this paradox from rock music ...
Faithfull became a pariah. She was an example of what young, white, respectable women risked when they dallied with sex and rock and roll. The incident left Faithfull with a shattered public image and sense of self.
A contribution to the field of urban music studies, this book presents new interdisciplinary approaches to the study of music in urban social life.
Incredible String Band, The, 106, 109, 113, 118–19 5000 Spirits or the Layers of the Onion, 119 The Hangman's ... Eve, 66, 177 Krautrock, 128 Krishnacore, 142 Kristeva, Julia, 152, 181–2 Lacan, Jacques, 152, 181 Laing, Dave, 137 Lamacq, ...
Theatrical Performance and Popular Music