No music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. Contributors include, in overlapping categories, many fellow pioneers, current colleagues, and former students, and their essays, like McClary's own work, address a wide range of repertories ranging from the established canon to a variety of popular genres. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies.
This is the first book to explore the powerful effect that music can have as we develop our sense of identity, from adolescence through to adulthood.
Everyday arias. Lanham, MD: AltaMira. Atkinson, P.A., & Delamont, S. (2006). Rescuing narrative from qualitative research. Narrative Inquiry, 16(1), 164–72. Baker, F., & MacDonald, R. (2013). Flow, identity achievement, satisfaction and ...
Selected Essays Annegret Fauser. société. ... Aaron Copland, “Jazz as Folk Music” (1925), referred to in Pollack, Aaron Copland, 113. ... Aaron Copland to Mary Lescaze, 13 January 1933, in Selected Correspondence of Aaron Copland, ed.
Wielokulturowe dziedzictwo [Spisz. The multicultural heritage]. Ed. Antoni Kroh. Sejny: Pogranicze, 129-134. Kroh, Antoni. 2000. “Spisz, Spiš. Zips. Szepes”. In Spisz. Wielokulturowe dziedzictwo. Ed. Antoni Kroh. Sejny: Pogranicze, 9-24 ...
Cultural Production, Distribution, and Consumption in a Globalized Scenario Ignacio Corona, Alejandro L. Madrid ... mi corazon cosas bonitas soy el hombre de la noche soy la sombra de la vida mi sangre es la comida que te hace estar ...
Musical identity raises complex, multifarious, and fascinating questions.
This volume brings together for the first time book chapters, articles and position pieces from the debates on music and identity, which seek to answer classic questions such as: how has music shaped the ways in which we understand our ...
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by ...
'Justin Timberlake's “Man of the Woods”: Lumbersexuality, Nature, and Larking Around', with Tore Størvold. In The Bloomsbury Handbook of Popular Music Video Analysis, edited by Lori Burns and Stan Hawkins, 317–336. New York: Bloomsbury.
201–11 in Meryle Secrest's Leonard Bernstein: A Life; pp. 247–53 in Joan Peyser's Leonard Bernstein: A Biography; chapter 26 in Harold Prince's Contradictions; pp. 146–56 in Foster Hirsch's Harold Prince and ...