Taking its departure point from the 1933 surrealist photographs of ?involuntary sculptures? by Brassa?nd Dal?Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book?s central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography?s indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork?s materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.
Hirschhorn (born in Switzerland in 1957) often chooses to place his work in non-art settings, saying that he wants it to “fight for its own existence.” In this book, Anna Dezeuze offers a generously illustrated examination of Hirschhorn ...
Adrian Stokes, Stones of Rimini (University Park: Penn State Press, 2002), 117. See also Stephen Kite, introduction, Stones of Rimini, 8. 3. Michael Ann Holly, The Melancholy Art (Princeton: Princeton University Press, 2013), 57. 4.
Flusser, Viléme, Towards a Philosophy of Photography (1983) trans. Anthony Mathews (London: Reaktion, 2000). Foote, Nancy, “The Anti-Photographers” (1976), in The Last Picture Show: Artists Using Photography 1960-1982, ed.
Clement Greenberg, “Review of Exhibitions of Hyman Bloom, David Smith, and Robert Motherwell” (The Nation, January 26, 1946), in Clement Greenberg, Clement Greenberg: The Collected Essays and Criticism, ed.
one another, and there would be a danger of allowing Dada to simply become conflated with Surrealism if one failed to ... formerly one of the impresarios of Zurich Dada, could, after all, be seen as equally important to the formation of ...
An undertaking as immensely ambitious as this one deserves our attention before we even open one of its stunningly illustrated and argued twin volumes. For what Ingo Walther and his...
Completely revised, this book has been expanded to cover the important developments in recent art, architecture and photography.
Mel Gordon, trans. Annabelle Melzer and George E. Wellwarth (New York: PAJ Publications, 1987), 80. There are other dada references to typewriters that I do not discuss, such as Raoul Hausmann's mixed media collage, ...
Robinson argues, Carter's male impersonation in Doctor Hoffman, 'using Desiderio as the only locus of narrative voice and desire', entails a 'gendering of the “I” that the reader cannot forget for one moment' (1991, 102).
Contributions by Ingrid Schaffner, Dominique Nahas. Text by Richard Klein.