"As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio?s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio?s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio?s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation."--Provided by publisher.
However, the author of this book argues, it is important to take a fresh look at the often repeated and widely accepted narratives about the artist’s life and work.
A New York Times Book Review Editors' Choice and a Washington Post Notable Book of the Year "This book resees its subject with rare clarity and power as a painter for the 21st century." —Hilary Spurling, New York Times Book Review ...
There he started to paint with both realism and psychological analysis of the sitters. Caravaggio was as temperamental in his painting as in his wild life.
Peter Robb's unvarnished description of Cecco's Amor at the Fountain (p. ... So reported by Emilio de' Cavalieri, as quoted in F. T. Camiz, “The Castrato Singer: From Informal to Formal Portraiture,” Artibus et Historiae 18 (1988): ...
A table set in a more historically accurate fashion is portrayed in Matteo Rosselli's two versions of ... 1620-25 now in Schleissheim and Los Angeles ( E. Steingräber , " Christus in Emmaus von Matteo Roselli ” ) . 68.
The notorious bad boy of Italian painting is now considered one of the greatest masters of all in art history.
In this original study, Troy Thomas examines Caravaggio’s life and art in relationship to the profound beginnings of modernity, exploring the many conventions that Caravaggio utterly dismantled with his extraordinary genius.
Caravaggio: L'ultimo tempo 2004: Caravaggio: L'ultimo tempo 1606–1610, exh. cat., Naples, Museo di Capodimonte (Naples: Electa, 2004). ... Christiansen 1990b: Keith Christiansen, A Caravaggio Rediscovered: The Lute Player, Bibliography 329.
A major reevaluation of Caravaggio from one of today's leading art historians This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past ...
Exploring Caravaggio's singular masterwork, in The Guardian of Shadows and Light Terence Ward offers an incredible narrative journey into the heart of his artistry and his metamorphosis from fugitive to visionary.