From the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for the opportunity to work for its many wealthy patrons. They contributed to the eclecticism of the Roman artistic scene, and to the diffusion of 'Roman' artistic styles in Europe and beyond. Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. Drawing together an international cast of key scholars in the field of Renaissance studies, the book adroitly demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and unique sense of civic identity - interacted with developments in the visual arts. With its distinctive chronological span and uniquely interdisciplinary approach, Art and Identity in Early Modern Rome puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.
In this study, Tracy Ehrlich analyzes one such villa--the Villa Mondragone--(built by Pope Paul V Borghese) to demonstrate how architecture, landscape and rituals of villegiatura (villa life) were used to forge a new identity as a Roman ...
Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo".
Carrying his own head in the Ninth Pouch of the Eighth Circle of Hell, Bertrand keeps company with other sowers of conflict, including the prophet Mohammed, one of Dante's interlocutors on this part in his journey, and Mohammed's ...
Karen-edis Barzman, The Limits of Identity: Early Modern Venice, Dalmatia, and the Representation of Difference (Leiden and Boston: Brill, 2017) and Larry Wolff, Venice and the Slavs: The Discovery of Dalmatia in the Age of ...
This volume prizes open the stereotype that early modern Rome was a homogenously Catholic city, to show a much more complex assembly of different religious affiliations and backgrounds. Early modern Rome saw the rise of a newly powerful ...
... cardinal had personally paid for the construction of this chapel, but wanted his grave to be without any memorial (sine ... The Possessions of a Cardinal. Politics, Piety, and Art 1450–1700 (University Park, PA: 2009) 61–76. According to ...
... Roma patria comune? Foreigners in Early Modern Rome,” in Art and Identity in Early Modern Rome, eds. Jill Burke and Michael Bury (Aldershot, 2008), pp. 31–35. 37 Egmont Lee, “Foreigners in Quattrocento Rome,” Renaissance and Reformation ...
Ho ricevuto la lettera di vostra signoria con molto gusto, nellaqualemi quanto al particolare nel quale mi domanda le parole della mia serenata, copiadiche io veramente desidererei di copia vedere un poco a una mandargliele, ...
Art and Identity in the Roman World
Minou Schraven in Chapter 14 explores how Rome's splendid festive culture shaped the urban and social fabric, ... And as one of Europe's premier diplomatic hubs (as illuminated by Osborne), early modern Rome was a permanent theater for ...