Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
Museum of Modern Art of Latin America: Selections from the Permanent Collection
Published to accompany the exhibition held at El Museo del Barrio, New York, 4 March - 25 July 2004.
This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York.
Is Latino art an integral part of modern American art? Presenting over one hundred major artworks from the Smithsonian American Art Museum, Our America seeks to "recalibrate" enduring concepts about...
This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.
In this book, author Miriam Basilio offers a closer study of the history of collection displays as a means to understand canon-formation in modern art museums.
Tony McCulloch is Senior Fellow in North American Studies at the Institute of the Americas, UCL. Maxine Molyneux is Professor of Sociology at the Institute of the Americas, UCL. Kate Quinn is Senior Lecturer in Caribbean History at the ...
"This book examines the contemporary art world in Latin America from an anthropological and historical perspective, and recognises the recent reconfiguration of Lima's art scene.
Reprinted in On Art, Artists, Latin American and Other Utopias, edited by Rachel Weiss, 131–149. Austin, TX: University of Texas Press, 2009. Carbajal, Nancy. “Pedagogía de Pedro Figari: centenario de un proyecto derrotado.
"Catalog of the exhibit sponsored by the Philip Morris Companies, organized by the Milwaukee Art Museum. Perez de Mendiola provides perhaps the best and most enlightening text. As a whole,...