Examining the memoirs and autobiographies of British soldiers during the Romantic period, Neil Ramsey explores the effect of these as cultural forms mediating warfare to the reading public during and immediately after the French Revolutionary and Napoleonic wars. Forming a distinct and commercially successful genre that in turn inspired the military and nautical novels that flourished in the 1830s, military memoirs profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, establishing images of the nation's middle-class soldier heroes that would be of enduring significance through the nineteenth and twentieth centuries. As Ramsey shows, the military memoir achieved widespread acclaim and commercial success among the reading public of the late Romantic era. Ramsey assesses their influence in relation to Romantic culture's wider understanding of war writing, autobiography, and authorship and to the shifting relationships between the individual, the soldier, and the nation. The memoirs, Ramsey argues, participated in a sentimental response to the period's wars by transforming earlier, impersonal traditions of military memoirs into stories of the soldier's personal suffering. While the focus on suffering established in part a lasting strand of anti-war writing in memoirs by private soldiers, such stories also helped to foster a sympathetic bond between the soldier and the civilian that played an important role in developing ideas of a national war and functioned as a central component in a national commemoration of war.
Examining the little-known memoirs and autobiographies of British soldiers during the Romantic period, Ramsey shows how these popular works profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, ...
Drawing on recent research into the entanglements of Romanticism with its wartime trauma and revisiting Michel Foucault's ground-breaking work on military discipline and the biopolitics of modern war, this book argues that military ...
34 In Imagining Soldiers and Fathers in the MidVictorian Era: Charlotte Yonge's Models of Manliness, Susan Walton has documented Yonge's emphasis on gentle soldiering (Farnham: Ashgate, 2010). I've explored Dickens's use of a ...
Kincaid , John , Adventures in the Rifle Brigade , in the Peninsula , France , and the Netherlands , from 1809 to 1815 , by Captain J. Kincaid ( London : T. and W. Boone , 1830 ) . Leith Hay , Andrew , Narrative of the Peninsular War by ...
... The Military Memoir and Romantic Literary Culture, 1780–1835 (Farnham: Ashgate, 2011); Matilda Greig, Dead Men Telling Tales: Napoleonic War Veterans and the Military Memoir Industry, 1808–1914 (Oxford: Oxford University Press, ...
Tate. I.4 After Francesco Bartolozzi, Mr Copley's Picture of the Siege of Gibraltar as Exhibited in the Green Park near St James's Palace, admission ticket (1791; facsimile c.1850–1860). Photomechanical print. 9.9 x 12.8 cm.
Anthony S. Jarrells BRITAIN'S BLOODLESS REVOLUTIONS 1688 and the Romantic Reform of Literature Emrys Jones ... Richard THE ROMANCE OF GAMBLING IN THE EIGHTEENTHCENTURY BRITISH NOVEL Andrew Rudd SYMPATHY AND INDIA IN BRITISH LITERATURE, ...
McPhee's reportorial nonfiction relies upon the rhetoric of direct experience, but if La Place de la Concorde Suisse is a testimony, it is to the obliqueness of language as it approaches the logic of militarization.
Romanticism, History, Historicism: Essays on an Orthodoxy. London: Routledge. ... Romantic Writing and the Empire of Signs: Periodical Culture and Post-Napoleonic Authorship. Charlottesville: University of Virginia Press. Favret, Mary.
... Romanticism and Figurations of Iberia ( Amsterdam : Rodopi , 2000 ) , the first chapter of which studies British responses to the Peninsular War ; and Neil Ramsey's The Military Memoir and Romantic Literary Culture , 1780–1835 ...