This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
... Yearbook . Vol . 3. Edited by Graham Bradshaw , Tom Bishop , John M. Mucciolo , and Angus Fletcher , 329–35 . London : Ashgate , 2003 . Kishi , Tetsuo , and Graham Bradshaw . Shakespeare in 288 THE SHAKESPEAREAN INTERNATIONAL YEARBOOK : 7.
... Shakespeare might differently matter. The rest ofthis essay concerns itself with Macbeth's place in that different mattering. POSTHUMANIST MOTIFS IN MACBETH It iscurious that Macbeth does not figure very muchin Posthumanist Shakespeares ...
for this reason that I would like to propose a possible new methodology for approaching the study of Shakespeare ... heroic attempt to archive the present cultural proliferation and fragmentation of Shakespeare in mass culture.7 It is ...
2 (2006): 208. 35. David Schalkwyk, Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge: Cambridge University Press, 2002), 32; cf. 50f., 1 1 If., 214. M. Worthen, Shakespeare and the Authority of Performance, esp.
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and ...
35 Clare Carroll, Circe's Cup: Cultural Tranformations in Early Modern Writing about Ireland (Cork: Cork University Press, 2001), 17-18. 36 Important exceptions to this rule are Christopher Highley, Shakespeare, Spenser, and the Crisis ...
J.E. Neale , ' The Elizabethan Acts of Supremacy and Uniformity ' , English Historical Review LXV ( 1950 ) , pp . ... Lords and Commons , 1485–1603 ( London : Longman , 1985 ) ; M.A.R. Graves , Elizabethan Parliaments , 1559–1601 ...
Kozintsev's King Lear was screened at the World Shakespeare Congress in Vancouver in 1971, and the director, ... recent example is Courtney Lehmann's long essay “Grigori Kozintsev,” in Welles, Kurosawa, Kozintsev, Zeffirelli, eds.
The volume concludes with an Afterword by Michael Neill. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies across the world.
Alexander Huang, "Global Shakespeare 2.0 and the Task of the Performance Archive," Shakespeare Survey 64 (2011): 38-51. ... Petersen, Lene B. Shakespeare's Errant Texts: Textual Form and Linguistic Style in Shakespearean "Bad" Quartos ...