What is photography? Is it a source of knowledge or an art? Many have said the former because it records the world automatically, others the latter because it expresses human subjectivity. Can photography be both or must we choose? In On Photography: A Philosophical Inquiry, Diarmuid Costello examines these fascinating questions and more, drawing on images by Alfred Stieglitz, Berenice Abbott, Paul Strand, Lee Friedlander, James Welling, and Wolfgang Tillmans, among others, and the writings of Elizabeth Eastlake, Peter Henry Emerson, Edward Weston, Siegfried Kracauer, André Bazin, and Stanley Cavell. This sets the scene for the contemporary stand-off between "sceptical" and "non-sceptical" Orthodoxy in the work of Roger Scruton and Kendall Walton, and a New Theory of Photography taking its cue from László Moholy-Nagy and Patrick Maynard. Written in a clear and engaging style, On Photography is essential reading for anyone interested in the philosophy of photography, aesthetics, art, and visual studies.
Photographers on Photography
Lichfield on Photography
8 While she hazards that photographic images could potentially be catalysts to benefit society, she sees the medium as lacking any ... 9 Practicing photography amounts to passivity on the part of both the photographer and the observer.
major exhibition of photography. The exhibition Photography 1839— 1 93 7, along with its ground—breaking catalogue, effectively launched Newhall's unprecedented career as the pre—eminent historian in the field.
Mia Spiro's Anti-Nazi Modernism marks a major step forward in the critical debates over the relationship between modernist art and politics. Spiro analyzes the antifascist, and particularly anti-Nazi, narrative methods...
Seven Theses on Photography. Thesis Eleven 113(1): 141–156. Rancière, J. 1997. Onze thèses sur la politique. Filozofski vestnik 18(2): 91–106. Richter, G. 2010. Introduction. Between Translation and Invention: The Photograph in ...
1 James Estrin, “Photography in the Docket, as Evidence,” The New York Times, April 2, 2013, accessed February 1, 2019, https://lens.blogs.nytimes.com/2013/04/02/photography-in-the-docket-as-evidence/. 2 Susan Sontag, On Photography ...
This personal, wide-ranging, and contemplative volume--and the last book Barthes published--finds the author applying his influential perceptiveness and associative insight to the subject of photography.
In a handy, take-anywhere format this book, revised from The Photographer's DSLR Pocketbook for the mirrorless age (not forgetting SLRs), gives the reader the benefit of Michael Freeman's decades of professional experience.
This is the second edition of The Crystal Coffin, presented as a black-and-white paperback.