A Companion to Museum Studies captures the multidisciplinary approach to the study of the development, roles, and significance of museums in contemporary society.
The volume represents diverse strands in museum activity from exhibitions to marketing, as ethics is embedded in all areas of the museum sector.
This book will elucidate contemporary museum ethics, providing a resource to students, researchers and museum professionals worldwide who are grappling with these matters.
National Museums is the first book to explore the national museum as a cultural institution in a range of contrasting national contexts.
A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal.
Complete with editorial introductions, questions for students, and a comprehensive bibliography, the volume surveys the concerns of the museum in language accessible to undergraduate and graduate students of art history, studio art, and ...
Arguing for a much closer examination of this concept of community, and of the significance of museums to different communities, Museums and Community is a dynamic look at a relationship that has, in modern times, never been more important.
This volume is a constructive examination of what is wrong with contemporary museums, written from an insider’s perspective that is grounded in both hope and pragmatism.
This innovative collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries.
In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?
Snow was correct in stating that the artists and scientists of his era (and also currently) were educated in either the humanities or sciences: at the heart of that two cultures debate is the role that binary thought has played ...