Combining historical narrative with close readings of several significant horror films, this brief volume offers a broad and lively introduction to cinematic horror. In doing so, it outlines and investigates important issues in the production, consumption, and cultural interpretation of the genre. An ideal text for perennially popular courses on the horror film genre. Examines the ways in which horror movies have been produced, received, and interpreted by filmmakers, audiences, and critics, from the 1920s to the present. Provides a short historical introduction of the horror film as an orientation to the field. Analyses a wide variety of major works in the genre, including Frankenstein, Cat People, Invasion of the Body Snatchers, The Texas Chain Saw Massacre, Halloween and Bram Stoker’s Dracula.
Focusing on recent postmodern examples, this is a collection of essays reviewing the history of the horror film and the psychological reasons for its persistent appeal.
These essays offer a broad overview of the horror film genre, from the silent screen to Scream 3, demonstrating how it remains defiantly, frighteningly alive.
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches.
'Horror and the Horror Film' is a vivid, compelling, insightful and well-written study of the horror film and its subgenres from 1896 to the present, concentrating on the nature of horror in reality and on film.
Collects the essays that examine the effects of music and its ability to provoke or intensify fear in the genre of horror film, address the presence of music in horror films and their potency within them, and delve into the films like "The ...
For conflicting accounts of womb envy in these films see Creed, “Phallic Panic,” and Robbins, “More Human.” 32. Creed, “From Here to Modernity.” 33. This alienation from the body (particularly women's bodies) is also evident in the fact ...
Robin Wood’s writing on the horror film, published over five decades, collected in one volume.
This book examines the success of Universal Studio's franchises of the ‘30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes.
The thrills which delight viewers of horror movies.
Peeping Tom aka Face of Fear (1960) Michael Powell Theatre/Astor: Michael Powell. ... Phantasm (1979) Avco Embassy: Don Coscarelli, Michael Baldwin, Bill Thornbury, Reggie Bannister. ... Mark Hamill, Harrison Ford, Carrie Fisher.