A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.
Athens: University of Georgia Press. Goodfellow, M. and Goodfellow, P. (2010). A Guidebook to Contemporary Architecture in Toronto. Vancouver: Douglas & McIntyre. Graham, W. (2016). Dream Cities: Seven Urban Ideas that Shape the World.
This book is brilliant, brave, and enormously informative.
This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States.
She is the author of A Critical Companion to Arthur Miller (2007) and Student Companion to Arthur Miller (2000) and of numerous articles on Arthur Miller. She also authored Thematic Guide to Modern Drama (2003), Masterpieces of ...
“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and ...
DIVExamines questions of agency, artisanship, and identity in relation to collaborative art practice./div
Jacobs, Karen (2003) Collecting Kamoro: Objects, Encounters and Representation in Papua/West New Guinea (unpubl.) PhD thesis, University of East Anglia. Khbeiz, Bilal (2003) Globalization and the Manufacture of Transient Events.
The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.
I ldquo;This collection is a real testimonial to the intelligence of the editing ofAfterimage, a journal that has showcased throughtful critics and commentators for years.rdquo;-Patricia Aufderheide, American University
This book is one of the first full-length studies to investigate the complex intersubjective relations among these diverse artistic practices.