New essays on ancient Greek classics from Ireland's greatest living dramatists and academics. That so many Irish playwrights should return to the Greek classics can not really be a surprise. Drama in Ireland is still a means of exploring the issues of family and state; of gender, class and race; of the oppressors and the oppressed. It is political in the broad sense in which the Greeks understood the word, involving everyone - immediate but concentrated through parallel and parable. This collection of provocative essays reveals how some of the great Irish poets and dramatists, of the past and.
For the background to this, see Athol Fugard, “Antigone in Africa,” in M. McDonald and M. Walton, eds., Amid Our Troubles: Irish Versions of Greek Tragedy (London, 2002). 23. Ibid. For the script see Athol Fugard, Township Plays (Oxford ...
Fugard, “Antigone in Africa,” in Amid Our Troubles: Irish Versions of Greek Tragedy, ed. Marianne McDonald and J. Michael Walton (London: Methuen, 2002), 132. 56. Fugard, “Antigone in Africa,” in Amid Our Troubles: Irish Versions of ...
The problems that Tom Paulin faced with the production reflect the problematic character of the text with its openly political echoes. The playwright described the initial set in his notes on Antigone, published in Amid Our Troubles ...
In Amid Our Troubles: Irish Versions of Greek Tragedy, ed. J. M. Walton and M. McDonald. London: Methuen, 2002. Soyinka, W. Myth, Literature and the African World. Cambridge: Cambridge University Press, 1976.
For students, teachers and practitioners this is the best single-volume treatment of the writer's work, considering the plays for their accessibility and for their focus on issues and concerns which are as significant as ever in the modern ...
26 Nicholas Roe, Wordsworth and Coleridge: The Radical Years, Oxford English Monographs (Oxford: Oxford University Press, 1988), p. 219. attacks not only the vacuity of political tenets in Robespierre's The Catastrophes of Real Life 53.
This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades?
Frank Mcguinness in 'The Sophoclean Killing Fields: Interview with Frank Mcguinness by Joseph lang', in Amid Our Troubles: Irish Versions of Greek Tragedy, ed. by Marianne Mcdonald and J. Michael Walton (london: Methuen, 2002), pp.
Weaving together Scripture, personal stories, and the words of the classic hymn “How Firm a Foundation,” David Powlison brings an experienced counselor’s touch to exploring how God enters into our sufferings, helping us see God ...
But faith means we believe God is good all the time—even amid our troubles. While listening to the suggested songs listed, color the next page and hang it in your room as a reminder. O mna God is good all the time D O.