In his lifetime Gielgud was acclaimed as the finest classical actor of the twentieth century and Jonathan Croall's biography from 2000 was instantly recognised by critics as a masterful achievement, one that was 'unlikely to be surpassed' (Sunday Telegraph). Since that time however a considerable amount of new material has come to light and the passing of time has allowed a new candour. John Gielgud: Matinee Idol to Movie Star sees this peerless biographer return to his subject to offer the definitive life of Gielgud. For this new biography Croall's exhaustive research has included over a hundred new interviews with key people from his life and career, several hundred letters from Gielgud that have never been published, scores of letters written to him and archived versions of his film and television work. As Gielgud worked increasingly in this medium during the last third of his life much greater attention is given to this than in the earlier work. Fresh light is thrown on his professional relationships with figures such as Laurence Olivier and Edith Evans, and on turbulent episodes of his private life. The overall result is a a much more rounded, candid and richly textured portrait of this celebrated and complex actor.
The volume also includes an updated text of the author's earlier book Hamlet Observed, and an account of actors' experiences of performing at Elsinore.
... Michael 32 Howard, Alan 117 Howarth, Donald 74, 75 Hunter, NC 31 Hurley, Majella 95 Hyman, Earle 78 I Ingram, Rex 78.
Kenneth Rothwell, A History of Shakespeare on Screen: A Century of Film and Television (Cambridge: Cambridge University Press, 1999), 2 II. 16. Gielgud, An Actor, 13 I-4. 17. Cited by Jonathan Croall, John Gielgud: Matinee Idol to Movie ...
Full of startling new material, drawn from many unpublished letters and Jonathan Croall's extensive interviews, the book also celebrates the man who dropped a thousand bricks.
Cited in Jonathan Croall, John Gielgud: Matinee Idol to Movie Star (London: Methuen, 2011), 337. Gielgud profoundly believed that his aunt Mabel Terry-Lewis was hilarious as Lady Bracknell at the Lyric Theatre, Hammersmith (1930), ...
... two collections of his theatre journalism, Buzz Buzz! Playwrights, Actors and Directors at the National Theatre and Closely Observed Theatre: From the National to the Old Vic; and three books in the series The National Theatre at ...
The Closet Scene is very well done by Plummer and the strangely under-exploited actress June Tobin, who has just the ... For a detailed account, see Jonathan Croall, John Gielgud: Matinee Idol to Movie Star (Methuen 2011), pp.482-9.
Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this book presents a portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.
This volume begins with Welles’s self-exile from America, and his realization that he could function only to his own satisfaction as an independent film maker, a one-man band, in fact, which committed him to a perpetual cycle of money ...
6; Patrick McGilligan, Alfred Hitchcock: A Life in Darkness and Light (Chichester, 2003), p. 206. ... to the waiting press: 'My good friends, this is the second time there has come back from Germany to Downing Street peace with honour.