Robin Walz’s updated Modernism, now part of the Seminar Studies series, has been updated to include significant primary source material and features to make it more accessible for students returning to, or studying the topic for the first time. The twentieth century was a period of seismic change on a global scale, witnessing two world wars, the rise and fall of communism, the establishment of a global economy, the beginnings of global warming and a complete reversal in the status of women in large parts of the world. The modernist movements of the early twentieth century launched a cultural revolution without which the multi-media-driven world in which we live today would not have been possible. Today modernism is enshrined in art galleries and university courses. Its techniques of abstraction and montage, and its creative impulse to innovate and shock, are the stock-in-trade of commercial advertising, feature films, television and computer-generated graphics. In this concise cultural history, Robin Walz vividly recaptures what was revolutionary about modernism. He shows how an aesthetic concept, arising from a diversity of cultural movements, from Cubism and Bauhaus to Abstract Expressionism and Pop Art, and operating in different ways across the fields of art, literature, music, design and architecture, came to turn intellectual and cultural life and assumptions upside down, first in Europe and then around the world. From the nineteenth century origins of modernism to its postmodern legacies, this book will give the reader access to the big picture of modernism as a dynamic historical process and an unfinished project which still speaks to our times.
Like a chord, modernism was more than a casual cluster of avant-garde protests; it added up to more than the sum of its ... For its part, the external history of modernism, which fits it into its environments, is quite as relevant to my ...
Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.
Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself.
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades.
... Noble 75 Situationist International 91 Smith, Ada LouiseaBricktop« 75 Smith, David 87 social sciences31 Socialist Realism68,71¥2, 78; defined xxvi Soupault, Philippe56, 58,61 Soviet Union: AKhRR 71; Constructivism 45, 59¥60, 63, 64, ...
Imagism: An earlytwentiethcentury modernist movement in AngloAmerican poetry that promoted an economy of direct, clear and precise ... The modernist avant-garde of the twentieth century would come to experience this bind intensely.
The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken.
Although some poetry—especially French and German—commit- ted itself to surrealism and used images drawn from Freudian psychology, American poetry resisted the tendency. Some poets, such as Robert Frost, by temperament or by conscious ...
The essays in Modernism and Mourning examine the work of mourning in modernist literature, or more precisely, its propensity for resisting this work.
Even more importantly, perhaps, this book argues for the importance of literature, literary study, and close reading in our digital age.