These essays investigate the relation of traditional music to Irish modernity. The author integrates a survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins and he argues that the formation of Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce. Dowling concludes with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland.
Traditional Music and Irish Society: Historical Perspectives
The book challenges the notion that Irish Traditional music expresses an essential Irish identity, arguing that it was an ideological construction of cultural nationalists in the nineteenth century, later commodified...
The song Phistlin' Phil mchugh (Whistling Phil) is one such example (Example 3.1). This practice was later seen to be offensive and fell from popularity. Example 3.1 Phistlin' Phil mchugh (Chorus) Text 3.1 Phistlin' Phil mchugh (Chorus) ...
White, Harry (1995), 'Music and the Irish Literary Imagination', in Gillen, Gerard and White, Harry (eds), Irish Musical Studies 3: Music and Irish Cultural history, Dublin: Irish Academic Press, pp. 212–27.
The ultimate A - Z reference for all devotees of Irish Traditional Music The Companion to Irish Traditional Music is an indispensable reference guide to Ireland's universally recognised cultural expression , traditional music and song .
The books in this series explore the lore, legends, music, and politics of Ireland. Their concise, pocket-sized format is well suited for aficionados as well as those who have a...
Music in the United States', in, Fred Maus and Sheila Whiteley (eds), The Oxford Handbook of Music and Queerness (New York, 2021) ———, 'Taming “the Tradition Bear”: Reflections on Gender, Sexuality, and Race in the Transmission of Irish ...
... Ireland's “big houses” (homes of the gentry). Many of his compositions were dedicated to—or named after—various patrons that he encountered in his travels, and are among the favorites of contemporary harpers. A composition in praise or ...
I went to the house and I made tapes of Denis Murphy. He and his wife would be talking and chatting inside at home near the fire and we'd play tunes. And that was the way to get to know about music. It was a great thing to find out what ...
For at least two centuries, and arguably much longer, Ireland has exerted an important influence on the development of the traditional, popular and art musics of other regions, and in particular those of Britain and the United States.