Addressing a neglected aspect of John Clare's history, Sarah Houghton-Walker explores Clare's poetry within the framework of his faith and the religious context in which he lived. While Clare expressed affection for the Established Church and other denominations on various occasions, Houghton-Walker brings together a vast array of evidence to show that any exploration of Clare's religious faith must go beyond pulpit and chapel. Phenomena that Clare himself defines as elements of faith include ghosts, witches, and literature, as well as concepts such as selfhood, Eden, eternity, childhood, and evil. Together with more traditional religious expressions, these apparently disparate features of Clare's spirituality are revealed to be of fundamental significance to his poetry, and it becomes evident that Clare's experiences can tell us much about the experience of 'religion', 'faith', and 'belief' in the period more generally. A distinguishing characteristic of Houghton-Walker's approach is her conviction that one must take into account all aspects of Clare's faith or else risk misrepresenting it. Her book thus engages not only with the facts of Clare's religious habits but also with the ways in which he was literally inspired, and with how that inspiration is connected to his intimations of divinity, to his vision of nature, and thus to his poetry. Belief, mediated through the idea of vision, is found to be implicated in Clare's experiences and interpretations of the natural world and is thus shown to be critical to the content of his verse.
Keats ' looked into ' Chapman's Homer . The Journal belongs to a born collector . Clare does not come home empty - handed , and Patty would have sighed and the children would have raided his pockets . As an inveterate collector he ...
Many poets, down through the long and rich tradition of poetry in English, have devoted their imaginative energy to questions of God, belief and service. Many of these poems are...
With reverence and love, Britain's most admired rural writer chronicles daily life in a Stour valley village, finding beauty and significance in its sheer ordinariness as well as its many literary, artistic and historic associations.
Thomas was a contemporary of Francis who joined the Order in 1215, while Bonaventure was a second-generation Franciscan who never knew the founder. Thomas of Celano wrote the first two lives of Francis and the first biography of Clare.
Eric Robinson and David Powell (Ashington and Manchester: MidNAG/Carcanet, 1996) Clare: The Critical Heritage, ed. Mark Storey (London: Routledge & Kegan Paul, 1973) The Early Poems of John Clare 1804–1822, ed.
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The Parish: A Satire
unlikeness. “The Love Song of J. Alfred Prufrock” features an individual who is alienated from the people he meets, ... the “region of unlikeness”.2 In the Old Testament Egypt, the desert and Babylon feature as such “regions of ...
Mina Gorji, Carry Akroyd, Robert Heyes, Mick Schrey, Stephen Colclough, Emma Trehane, Kelsey Thornton , Greg Crossan, Peter Reynolds, Michael Burnham John Goodridge, Simon Kovesi. Contributors CARRY AKROYD is a painter and printmaker .
A bold reevaluation of Spinoza that reveals his powerful, inclusive vision of religion for the modern age Spinoza is widely regarded as either a God-forsaking atheist or a God-intoxicated pantheist, but Clare Carlisle says that he was ...