Ernest Hemingway, best-known to layman and aficionado alike, in his fiction described bullfighting, or "toreo, "as a cross between romantic risk and a drunken party, or as an elaborate substitute for war, ending in wounds or death. Although his descriptions of the "beauty"in "toreo "are lyrical, they are short on imaginative creation of how such beauty, through techniques and discipline, comes about. Hemingway may have sculpted a personal mystique of "toreo "but, in the opinion of some, he ignored or slighted the full, unique nature of the subject. In "Bullfighting: Art, Technique, and Spanish Society "John McCormick sorts through the complexities of "toreo, "to suggest the aesthetic, social, and moral dimensions of an art that is geographically limited, but universal when seen in round. While having felt the attraction of Hemingway's approach, McCormick knew that he was being seduced by elements that had little to do with "toreo. "To try to right Hemingway's distortions, he named the first edition of this book "The Complete Aficionado, "but then realized that the volume was directed at more than just the spectator: "BullFighting "is written from the point of view of the "torerro, "as opposed to the usual spectator's impressions and enthusiasm. With the help of a retired "matador de toros, "Mario Sevilla Mascarenas, who taught McCormick the rudiments of "toreo "as well as the emotions and discipline essential to survival, the authors rescue "'toreo "from romantic cliches. They probe the anatomy of the matador's training and technique, provide a past-and-present survey of the traditions of the "corrida, "and furnish dramatic portraits of such famous figures as Manolete, Joselito, Belmonte, and Ordonez. Here then is an informed analysis and critique of the origins and myths of "toreo "and a survey of the novels it has inspired. Defending the faith in a lively as well as clear and discerning manner, this volume provides a committed and vivid approach to the rich history, ritual, and symbolism of the bullfight as it currently exists.
From the political use of bullfighting in royal and imperial pageants to the nationalistic "great patriotic bullfights" of the late 19th and early 20th centuries, this is both a fascinating portrait of bullfighting and a vivid recreation of ...
'Bold, provocative and morally searching, Fiske-Harrison writes about the bizarre and arrogant world of bullfighting with passion and deep knowledge' Michael Jacobs, author of Factory of Light: Life in an Andalucian Village
We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This book investigates the popularity and success of contemporary women performers in bullfighting culture, which has been framed by a discourse of 'traditionalist' masculinity.
Why don’t we see more women bullfighters? Does bullfighting have a future? These are the questions that came to Reza Hosseinpour’s mind when he first moved to Spain and was exposed to bullfighting.
El Toro 2 Representations of the bull can be found in paleolithic paintings in the caves of Altamira , Celti - iberian ... Spaniards claim that the toro bravo descends from the original wild bull ( Bos primigenius ) that populated the ...
Bravery inspires the attack; nobility causes it to be honest and true; and Toro Bravo's stamina must be great enough to allow him to make at least three honest entries to the picadors' horses,24 and still maintain his strength, ...
Bulls and Bullfighting
Describing how public animal slaughter came to occupy a central place in Spanish culture, this study attempts to unravel the strands of religion, class conflict, nationalism, political corruption and machismo...
An examination of the world of the Matador. Journeying across Spain, the author interviews Matadors from the top and bottom of the profession, looks at the cut-throat world of the...