With examples from established and emergent music styles and artists, as well as located case studies from around the globe, this book provides the general reader, student and teacher with several gateways into the vital issues that animate ...
Holt, F. (2007) Genre in Popular Music, Chicago and London: University of Chicago Press. Hoskyns, B. (ed.) (2004) Into the Void: Ozzy Osbourne and Black Sabbath. A Rock's Backpages Reader, London and New York: Omnibus Press.
With 'Key Concepts in Popular Music', Roy Shuker presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.
Max l/Veher'An Intellectual Portrait. Berkeley: University of California Press. Benjamin, Walter. 1969. Illuminations. New York: Schocken. Bennett, Andy. 2001. Cultures ofPopularMusic. Buckingham, UK: Open University Press.
One of the best-known country blues musicians is Robert Johnson (1911–1938), whose recordings from 1936 and 1937 inspired innovations in guitar performance by countless performers including Jimi Hendrix, Stevie Ray Vaughan, Eric Clapton ...
This introductory text provides students with a 'toolbox' of approaches for analyzing religion and popular culture.
This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Laing, Dave (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press. Laing, Dave (2004a) 'The three Woodstocks and the live music scene', in Andy Bennett (ed.), Remembering Woodstock.
China's new voices: Popular music, ethnicity, gender and politics, 1978–1997. Berkeley, CA: University of California Press. Barmé, G. 1999. In the red: On contemporary Chinese culture. New York: Columbia University Press. de Kloet, ...
Sheryl Garratt remembered that 'most of us scream ourselves silly at a concert at least once, although many refuse to admit it later ... The contribution of women to popular music – relative to the success of Elvis Presley, The Beatles, ...
Gateway 46 BEBOP “Ko Ko,” by Charlie Parker This is a transcription of Charlie Parker's improvised solo, from The Charlie Parker Omnibook. Copyright 1946 Atlantic Music Corp. Copyright renewed 1974. Reprinted by. 359 Gateway 46 Bebop.