No photographer had a more serious and deeply felt response to the political and cultural impact of the 1960s and early 1970s than Richard Avedon. In four monumental photographic murals (reproduced in large gatefolds) and many related portraits, he portrays Andy Warhol's gender-bending Factory, with Viva and Candy Darling; Abbie Hoffman and the radical agitators of the Chicago Seven; Allen Ginsberg's family, friends and fellow artists; and the US Mission Council in Saigon alongside searing portraits of victims of the Vietnam War.
The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the ...
Avedon
Perich's introductory essay—accompanied by a wealth of archival photographs of both Avedon and the Kennedy family—provides historical background on the two sittings within a political and cultural context and critically examines the ...
" What Becomes a Legend Most is the first definitive biography of this luminary—an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be ...
A comprehensive survey of photographer Richard Avedon's career that focuses on his portrait work, many of which appeared in his 1975 exhibition at the Marlborough Gallery.
Richard Avedon: Made in France
Avedon's images are almost cinematographic, leading the viewer to imagine the tales and stories they seem to evoke.
Terugblik op de reis die de Amerikaanse fotograaf in 1979 door het westen van de V.S. maakte, en die leidde tot de fototentoonstelling 'In the American West' in 1985.
In bringing this work into the twenty-first century, readers new and old will take away fundamental and recurring truths about life in the US. It is both a call to action, and an appeal to love and to life.
In a collection of austere portraits of personalities including Dwight Eisenhower, Truman Capote, Rose Mary Woods, and Andy Warhol, Avedon demonstrates his aim to retain the sitter's identity and solidity...