Part of a new wave of cross-disciplinary scholarship, where Chinese studies meets the British eighteenth century, this novel work will appeal to scholars in a number of fields, including performance studies, East Asian studies, British literature, cultural history, gender studies, and postcolonial studies.
Shedding light on a history few can have expected, the book shows high narrative skill and the author's strong empathetic imagination brings everything to life." —Gregor Benton, author of Chinese Migrants and Internationalism and The ...
This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period.
In this deeply grounded work, Ellen Zhang locates the tension between worldly ambition and family duty at the heart of elite social and cultural life.
This book, first published in 1981, deals not only with opera, the spoken play, music and dance but also with cinema, describing how in all these cases the Chinese have adapted traditional art forms for political, social and propagandist ...
This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.
This is the first in-depth study of Chinese bridal laments, a ritual and performative art practiced by Chinese women in premodern times that gave them a rare opportunity to voice their grievances publicly.
This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.
Alan Refkin and David Dodge will provide you with the tools necessary to delve deep into the business and financial fabric of corporate China, allowing readers to pierce the wall of secrecy surrounding Chinese businesses.
Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California.
The contributors to this volume explore the ways in which performances and recordings, including singing competitions, textual anthologies, ethnographic videos, and CD albums, serve as discursive spaces where individuals engage with and ...