In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug. Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr. While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932. The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings. The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
If the editor be Mr. Granville-Barker, so much the better: he will test the questionable passages on the stage, and retain readings that a mere man of letters would tamper with. If the editor be Mr. William Poel, he will print the text ...
A history of the Bard's competitively pursued First Folio traces the author's travels from the site of a Sotheby auction to regions in Asia, throughout which he investigated the roles played by those who have sought and owned the Folios.
The Shakespeare Book has visual plot summaries of each one, with diagrams to show the intricate web of relationships in plays such as A Midsummer's Night Dream.
An acclaimed author has rewritten twelve of Shakespeare's plays in narrative form, retaining much of the original language, and thus the flavor of the bard's dramas.
This volume marks the 400th anniversary of Shakespeare's death by reflecting on the unrivalled work of the Shakespeare Association of America and offering a unique collection of leading Shakespeare scholars outlining key developments in ...
Inviting readers to see the sublime in the looming apocalypse, this book presents all 154 Shakespearean sonnets (with minor alterations transfigured into "zonnets") in their horrifying glory, highlighting transcendent themes of love, death, ...
This volume collects the critical prose of award-winning writer Anna Frajlich.
This special anniversary edition contains Macbeth, Romeo and Juliet, Twelfth Night and Anthony and Cleopatra, reissued to celebrate 450 years since the Bard's birth.
For a complete catalogue and description of all First Folios, see Eric Rasmussen, Anthony James West, and Donald L. Bailey, et al., The Shakespeare First Folios: A Descriptive Catalog (New York: Palgrave Macmillan, 2012); and Anthony ...
and to which neither Chambers«, Young«s nor Craig«s account of the origins and development of mediaeval religious drama gave any satisfactory answer, was why there should be so obvious a difference of quality between latin liturgical ...