Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
An analysis of the writing life of the nineteenth-century English poet documents his experiences as a Jesuit priest, his struggles with depression, and the spiritual journey that informed his beliefs. 12,500 first printing.
Closer to Dylan Thomas than Matthew Arnold in his 'creative violence' and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society...
No one who absorbs this book's radical readings will ever see and hear Hopkins's poetry and prose quite the way they used to.
Princeton emeritus professor Martin, the only biographer to have unrestricted use of Hopkins' private papers, tells this extraordinary story from Hopkins' early life and studies at Oxford, through his tortuous conversion from Anglicanism to ...
His collected poems, published posthumously in 1918, exercised a profound influence on modern poetry. This volume features all of his mature work, including "The Wreck of the Deutschland," "God's Grandeur" and "Hurrahing in Harvest."
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
This authoritative edition was first published in the Oxford Authors series under the general editorship of Frank Kermode.
An insightful and inspirational biography of the heroic and spiritual poet. Gerard Manley Hopkins (1844?1889) may well have been the most original and innovative poet writing in the English language during the nineteenth century.
The poems, letters and journal entries selected for this edition were written in the following twenty years of his life, and published posthumously in 1918.
Includes poems, essays on poetry, and selections from the nineteenth century poet's letters and notebooks