Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Laird M. Easton ( Knopf , 2011 ) , p . 190 . “ Thrice sacred " : CWD , Nov. 21 , 1874 . “ magnificent love duet ” : GBS , pp . 61–62 . Deciding on the right ending : See Philip Kitcher and Richard Schacht , Finding an Ending ...
In Listen to This, the award-winning music critic and author of The Rest is Noise, Alex Ross looks forward and backward in musical culture: capturing essential figures in classical music history, as well as giving an alternative view of ...
This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.
So he arranged with EMI to record in London in December 1935,afterthe Gifford lectures were done.Hehad taken part ina radio broadcast from achurchin London and had made arecording inthe city once before, at Queen's Small Hall, ...
From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or ...
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
The story of music is the story of our urge to invent, connect, rebel—and entertain. Howard Goodall's beautifully clear and compelling account is both a hymn to human endeavor and a groundbreaking map of our musical journey.
This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.
An incendiary examination of burnout in millennials--the cultural shifts that got us here, the pressures that sustain it, and the need for drastic change
In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally ...