Edgar award nominee James N. Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, and The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery. Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot." Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world. Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing. This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.
The damn dog didn't even bark. Cory went into his pack and brought out the meat with the sleeping drug in it and tore the cellophane off and hurled it over the fence. The dog went over and sniffed it, then trotted off.
Egri was talking about playwriting, but this is also true if you're trying to write a damn good novel. PREMISE DEFINED If you wished to make an argument, say, that “dogs make better pets than cats,” how would you go about proving it?
To stay in business, Don Corleone bribed politicians, bought newsmen, bullied Italian shopkeepers into selling only Genco Pura olive oil, and made offers impossible to refuse.
Here's your ticket to the greatest mystery-writing workshop ever! In this extraordinary compilation, more than three dozen members of the Mystery Writers of America share insights and advice that can help make your writing dreams a reality.
How to Write a Damn Good Mystery Novel
Offers aspiring authors of novels and screenplays advice on using the classic themes of universal folklore and mythology to structure their works, and provides examples from well-known fiction and films. Reprint. 20,000 first printing.
Mystery writers such as Lawrence Block, Sue Grafton, and Parnell Hall offer advice and tips on writing the private eye novel
Pitched midway between the writing advice books that concentrate on format and grammar and those that outline the large-bone mystery basics such as plot, character, dialogue, and creating suspense, Don't Murder Your Mystery identifies ...
Seeking a fresh start after ending a decade-long stagnant relationship, 30-year-old Beth Williams returned to her hometown of Davison City, located on the Northwest Minnesota prairie.
Suspenseful, extremely witty, brilliantly written, unexpectedly hilarious, and a joy from start to finish, The Writing Class is a one-of-a-kind novel that rivals Jincy Willett's previous masterpieces.