A range of approaches to the director’s life and work. The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director’s place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray’s most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray’s lesser-known and underappreciated films, and devotes attention to the highly experimental We Can’t Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.
In an early scene at the desert lodge where she and her husband meet, she rides along the ridge of a canyon in a cold blue dawn, scattering her beloved father's ashes in defiant handfuls, her face set as in stone.
... Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema. Albany: State U of New York P, 2014. Print. ———. “The Pedagogical Aesthetics of We Can't Go Home Again.” Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema ...
Henry Hathaway directed most of the semidocumentaries for De Rochemont, and his films, made from 1945 to 1948, cover the entire cycle. He used a voice-of-God voice-over to introduce a 1945 film that, we are told, could not have been ...
Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault ...
... as well as to the Plastics, comprised of Regina, Gretchen (Lacey Chabert) and Karen (Amanda Seyfried), and 'the greatest people you will ever meet', a group that consists of Janis herself and her friend Damien (Daniel Franzese).
But he branched out in odd ways– The Newton Boys was a real-life crime spree (it was Slacker meets Bonnie and Clyde), Wakin Life was the start of ro pe animation, an then there were Before Sunrise and—ten years later—Before Sunset.
Essays from the influential French film magazine discuss movies by Roger Vadim, Francois Truffaut, Nicholas Ray, Otto Preminger, Alfred Hitchcock, Samuel Fuller, and Roberto Rosselini
Nicholas Baer is a PhD candidate in Film and Media at the University of California, Berkeley, with a Designated Emphasis ... collections: L'Entre-Images: Photo, cinéma, vidéo, 1990; Jean-Luc Godard: Son + Image, 1992; L'Entre-Images 2.
This is the encounter between Jim Stark and Ray, a sympaths police officer, who distances Jim from his parents and his grandmotl who have arrived to pick him up after he is arrested for being drunk 2 disorderly. The action follows a ...
... Lonely Places, Dangerous Ground (2014). Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas, where she also serves as Associate Director of the Arkansas Humanities Center. She teaches and publishes in the ...