Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema

Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema
ISBN-10
143844981X
ISBN-13
9781438449814
Category
Performing Arts
Pages
320
Language
English
Published
2014-02-01
Publisher
SUNY Press
Authors
Steven Rybin, Will Scheibel

Description

A range of approaches to the director’s life and work. The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director’s place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray’s most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray’s lesser-known and underappreciated films, and devotes attention to the highly experimental We Can’t Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.

Other editions

Similar books

  • In Lonely Places: Film Noir Beyond the City
    By Imogen Sara Smith

    In an early scene at the desert lodge where she and her husband meet, she rides along the ridge of a canyon in a cold blue dawn, scattering her beloved father's ashes in defiant handfuls, her face set as in stone.

  • American Stranger: Modernisms, Hollywood, and the Cinema of Nicholas Ray
    By Will Scheibel

    ... Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema. Albany: State U of New York P, 2014. Print. ———. “The Pedagogical Aesthetics of We Can't Go Home Again.” Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema ...

  • Street with No Name: A History of the Classic American Film Noir
    By Andrew Dickos

    Henry Hathaway directed most of the semidocumentaries for De Rochemont, and his films, made from 1945 to 1948, cover the entire cycle. He used a voice-of-God voice-over to introduce a 1945 film that, we are told, could not have been ...

  • Thinking in the Dark: Cinema, Theory, Practice
    By Jeremy Blatter

    Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault ...

  • Rethinking the Hollywood Teen Movie: Gender, Genre and Identity
    By Frances Smith

    ... as well as to the Plastics, comprised of Regina, Gretchen (Lacey Chabert) and Karen (Amanda Seyfried), and 'the greatest people you will ever meet', a group that consists of Janis herself and her friend Damien (Daniel Franzese).

  • The New Biographical Dictionary of Film: Sixth Edition
    By David Thomson

    But he branched out in odd ways– The Newton Boys was a real-life crime spree (it was Slacker meets Bonnie and Clyde), Wakin Life was the start of ro pe animation, an then there were Before Sunrise and—ten years later—Before Sunset.

  • Cahiers Du Cinéma, the 1950s: Neo-realism, Hollywood, New Wave
    By Jim Hillier

    Essays from the influential French film magazine discuss movies by Roger Vadim, Francois Truffaut, Nicholas Ray, Otto Preminger, Alfred Hitchcock, Samuel Fuller, and Roberto Rosselini

  • A Companion to Fritz Lang
    By Joe McElhaney

    Nicholas Baer is a PhD candidate in Film and Media at the University of California, Berkeley, with a Designated Emphasis ... collections: L'Entre-Images: Photo, cinéma, vidéo, 1990; Jean-Luc Godard: Son + Image, 1992; L'Entre-Images 2.

  • Rebel Without a Cause: Approaches to a Maverick Masterwork
    By J. David Slocum

    This is the encounter between Jim Stark and Ray, a sympaths police officer, who distances Jim from his parents and his grandmotl who have arrived to pick him up after he is arrested for being drunk 2 disorderly. The action follows a ...

  • Penny Dreadful and Adaptation: Reanimating and Transforming the Monster
    By Julie Grossman, Will Scheibel

    ... Lonely Places, Dangerous Ground (2014). Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas, where she also serves as Associate Director of the Arkansas Humanities Center. She teaches and publishes in the ...