Rethinks the role of Indigenous and non-Indigenous interactions in the production of ethnographic museum collections. By analyzing one of the world’s greatest collections of Indigenous song, myth, and ceremony—the collections of linguist/anthropologist T. G. H. Strehlow—Ceremony Men demonstrates how inextricably intertwined ethnographic collections can become in complex historical and social relations. In revealing his process to return an anthropological collection to Aboriginal communities in remote central Australia, Jason M. Gibson highlights the importance of personal rapport and collaborations in ethnographic exchange, both past and present, and demonstrates the ongoing importance of sociality, relationship, and orality when Indigenous peoples encounter museum collections today. Combining forensic historical analysis with contemporary ethnographic research, this book challenges the notion that anthropological archives will necessarily become authoritative or dominant statements on a people’s cultural identity. Instead, Indigenous peoples will often interrogate and recontextualize this material with great dexterity as they work to reintegrate the documented into their present-day social lives. By theorizing the nature of the documenter-documented relationships this book makes an important contribution to the simplistic postcolonial generalizations that dominate analyses of colonial interaction. A story of local agency is uncovered that enriches our understanding of the human engagements that took, and continue to take, place within varying colonial relations of Australia. Jason M. Gibson is a Research Fellow at the Alfred Deakin Institute for Citizenship and Globalisation in Australia.
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According to a high-ranking male tea ceremony teacher in Kyoto, whose family has been teaching the tea ceremony for three generations, 'Women tea ceremony teachers who have been coming to keiko at my house since my grandfather's time ...
A few days after the proposal has been accepted some eight or ten women of the young man's family or kin, including his mother, go to visit the girl's mother, ... After prayer the following ceremony, called ftsḥa is performed.
... to demarcate this natural process with some type of ceremony through which the adolescent can emerge into a more ... this was seen as a period that necessitates a ritualized process that reenacts the sacred process of creation.
Watson Birmingham - P.J. Watson , Catalogue of Cuneiform Tablets in Birmingham City Museum . Vol . l . Neo - Sumerian Texts from Drehem , Warminster , 1986 . Wehr - The Hans Wehr Dictionary of Modern Written Arabic edited by J.M. Cowan ...
More women than men can often be found in Indigenous ceremonies themselves. This has been the case in ceremonies I have attended—on the “women's side” of the sweat lodge we are usually packed like sardines while the “men's side” is ...
We have no information suggesting that men were admitted to the morning or evening ceremonies of the other queens residing in the Louvre, that is, the Queen-Consort, Louise de Vaudémont, or the sister of the King, Marguerite de Valois, ...
Carnegie sponsored collection of ethnographic materials from the Arikara, this text is packed with details, observations, and insights. An essential text for any collection of ethnological work, and of native...
Ceremonies in Dark Old Men, a classic of American theater, is the poignant story of a family in 1950s Harlem.