In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world.
He'd sit there and basically try to bribe me, said if I helped him with his project, he'd get me pussy. ... He had a good thing going with Ladd, who would have backed one of Airman's laundry stubs so long as the director kept the budget ...
Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that ...
Miller added that Dirty Harry is “perfectly willing to pass judgment and administer punishment and make things right.” According to Miller, “Clint Eastwood is ... Sounding like HAL, he quips, “Never send a human to do a machine's job.
Indie, Inc. surveys Miramax's evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly.
[and] profanity (this includes the words God, Lord, Jesus Christ—unless used reverently—Hell, S.O.B., damn, Gawd), or every other profane or vulgar expression however used.”3 mechanisms in place, a swear word could be negotiated, ...
Sharon Waxman, editor and chief of The Wrap.com and for Hollywood reporter for the New York Times spent the decade covering these young filmmakers, and in Rebels on the Backlot she weaves together the lives and careers of Quentin Tarantino, ...
This richly textured novel celebrates the profound, the beautiful, and the good, and there is a lot of deep knowledge backing up Martel's often outrageous statements.
No one had even seen Shefs Gotta Have It. Later we listened to another seminar on distribution featuring Laurie Parker from Island Pictures and the producer's rep for Blood Simple and Desert Hearts, Jeff Dowd. Dowd suggested that you ...
It's the mentality that forces you to be creative with your resources. It's about doing more with less. Get started NOW with this book and DVD set, a one-stop shop written by a guerrilla filmmaker, for guerrilla filmmakers.
Always attired in jeans and a T-shirt, he seemed comfortable as the handsome, but dim kid who'd made a name for himself in Rawhide. He enjoyed having a beer and talking ... Montgomery Clift and James Dean had already selfdestructed.