Sacred music traditions vary profoundly from one religion to the next. Even within the Christian faith, one can hear a wide variety of music among and within different denominations. Catholics, mainline Protestants, and Evangelicals have all developed unique traditions. Many people are not exposed to multiple faith experiences in their upbringings, which can make exploring an unfamiliar sacred music style challenging. Because of this, singers and teachers regularly encounter religious singing styles to which they have not yet been exposed. In So You Want to Sing Sacred Music, multiple contributors offer a broad overview of sacred singing in the Judeo-Christian tradition. Evan Kent, Anthony Ruff, Matthew Hoch, and Sharon L. Radionoff share their expertise on topics as diverse as Jewish cantorial music, Gregorian chant, post-Vatican II Catholic music, choral traditions, and contemporary Christian music. This plethora of styles represents the most common traditions encountered by amateur and emerging professional singers when exploring sacred performance opportunities. In each chapter, contributors consider liturgical origins, musical characteristics, training requirements, repertoire, and resources for each of these traditions. The writers—all professional singers and teachers with rich experience singing these styles—also discuss vocal technique as it relates to each style. Contributors also offer professional advice for singers seeking work within each tradition’s institutional settings, surveying the skills needed while offering practical advice for auditioning and performing successfully in the world of sacred music. So You Want to Sing Sacred Music is a helpful resource for any singer looking to add sacred performance to their portfolio or seeking opportunities and employment where sacred music is practiced and performed. Additional chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Sacred Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Mina Carson, Tisa Lewis, and Susan M. Shaw, Girls Rock! Fifty Years of Women Making Music (Lexington: University of Kentucky Press, 2004), 51. 12. These songs are from the albums Anticipation (1971), ...
koauau has a cylindrical shape and is made of wood, bone, or stone; it has three finger holes and is blown across the top ... World Music Pedagogy— Volume III: Secondary School Innovations (New York: Routledge, 2018); Mark Montemayor, ...
Timberlake, C. (1986). The 'pop' singer and the voice teacher (From the American Academy of Teachers of Singing). The NATSJournal, September/October, 21, ...
... Martha Schlamme (1923–1985), Alvin Epstein (1925–2018), Tony Azito (1948–1995), Lee Horwin (b. ca. 1948), Hildegarde (1906–2005), Sheldon Harnick (b. 1924), Carolyn Leigh (1926–1983), Harold Rome (1908–1993), Andrew Lloyd Webber (b.
This book gathers together technical and practical wisdom from some of the world’s most well-known practicing CCM pedagogues.
This volumes provides singers a comprehensive guide to the history of and performance techniques for spirituals.
The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Gospel features online supplemental material on the NATS website.
Like all books in the series, So You Want to Sing with Awareness features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
The book includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne. In So You Want to Sing Jazz, singers and voice teachers finally have the go-to resource they need for singing vocal jazz.
This book introduces the remarkably rich and varied repertoire of early vocal music, focusing primarily on the 17th and early 18th centuries, within a historical context and explores the techniques the modern singer will need to perform and ...