Between the countless works of art in the world and numerous laws on their care, the task of deciphering correct procedure can seem daunting. In Art Law: A Concise Guide for Artists, Curators, and Art Educators, Michael E. Jones breaks down the legal language into a concise tool for all those involved in the art world. While most art law books are written for law students or museum directors, trustees, and curators, Jones’ book appeals to a far larger audience, particularly undergraduate and graduate students studying art, graphic design, photography, museum studies, art education and art business. It is also a useful research guide for museum professionals, gallery directors, foundation heads, working professional visual fine artists and board/trustee members. Art Law distinguishes itself by providing a broad scope of art law in relation to the world of artists and those organizations that support, preserve, govern, display, and even sell art. Covering topics such as acquisition, grants, and buying and selling, this book takes a look at the ethical and legal issues and rights that confront the art community and museums. Through case studies complete with images, readers can see these topics in action. Art Law is a must-have guide for art educators, museum studies students, art law and business programs, and artists looking for clear and readable descriptions and answers to the relevant legal issues facing the art world community.
Anyone wishing to reproduce the photograph will need to obtain the consent of Damien Hirst to reproduce the image of the artwork, but also the consent of the auction house to reproduce the photograph of the artwork.8 The requirement of ...
Alexandra Darraby,Art, Artifact, Architecture & Museum Law, vols 1 and 2, 15th ed., Thomson Reuters, Eagan, MN, 2012. ... Robert C. Lind, Robert M. Jarvis, and Marilyn E. Phelan, Art and Museum Law, Carolina Academic Press, Durham, NC, ...
Written by an award-winning professor with over 25 years of experience, this book explains comprehensively the different facets of law teaching from the law teacher’s perspective.
This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography.
Law as Art presents a radical new legal theory, the Law as Art Hypothesis, which conceives law, not as a system of rules, but as a distinctive kind of art work.
Aesthetic philosophy and the arts offer an innovative and attractive approach to enhancing international law in support of peace.
In this book, Merima Bruncevic takes up the cultural commons not merely as an abstract notion, but in its connection to physical spaces such as museums and libraries.
Nehemiah S. Glanc, Complaint, Roderic Steinkamp against Rhona Hoffman and Rhona Hoffman Gallery, Ltd., 22 May 2012. The case was later settled out of court, but a corollary question arising from this case was whether the value of ...
The second edition of Art Law & Transactions presents the transactional structure of art law in three primary segments: acquisition, ownership, and disposition.