Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.
Vom Erhabenen und vom Komischen: über eine prekäre Konstellation ; für Rolf-Peter Janz
Rabindranath Tagore: Selected Essays on Aesthetics
So, they imitated (ni) the shapes (xing) and appearances (rong) of the universe to represent [xiang] the meanings appropriate to a particular object. This was how the imitations came to be called images (xiang).”34 In this statement, ...
Meixell has recently highlighted the function of Malgesi's dramatic productions as particularly interesting 'because it focuses on the question of the magician as creator of fiction'.162 This analysis of the wizard underscores Malgesi ...
Gillian Brown argues that Stowe, “in her insistence on use value [in House and Home Papers,] differentiates household possessions, the stuff of sentimental associations, from the ephemeral objects in the marketplace” (Domestic ...
Wahrnehmungstheorie und Ästhetik in Laurence Sternes Tristram Shandy Erika Sophie Hopmann ... Berkeley, George: Versuch über eine neue Theorie des Sehens und Die Theorie des Sehens oder der visuellen Sprache ... verteidigt und erklärt.
gesellschafts-politische und formal-ästhetische Aspekte in der Gegenwartsliteratur Stephanie Willeke, Ludmila Peters, ... In: Literarische und politische Deutschlandkonzepte. 1938-1949. Hg. v. Gunther Nickel. Göttingen 2004, S. 11-45.
... Melville's engagements with various spiritual traditions, see William Potter, Melville's Clarel and the Intersympathy of Creeds (Kent, OH: Kent State University Press, 2004); Yothers, Sacred Uncertainty; and the essays in Visionary of ...
As this collection shows, strangely haunting and deeply unsettling, Rhys's portraits of dispossessed women living in the early and late twentieth-century continue to trouble easy conceptualisations and critical categories.
To date, most criticism of print and digital technotexts--literary objects that foreground the role of their media of inscription--has emphasized the avant-garde contexts of a text's production.