Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole.
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text...
This classic text is the tale of a woman who becomes involved in murder without realizing the terrible price she will pay for it.
Considered by critics to be one of the best tragedies of the English Renaissance, The Changeling was written by Thomas Middleton and William Rowley and first published in book form in 1653.
The Changeling by Thomas Middleton and William Rowley
Evidence exists that three other works were authored solely by Rowley: Hymen's Holidays or Cupid's Vagaries (1612), A Knave in Print (1613), and The Fool Without Book (also 1613) but unfortunately none have survived to be further examined.
Featuring the full and modernized play text, this revised edition includes incisive commentary notes which explain the nuances of the play's vibrant, colloquial language and demonstrate its sly delight in the characters' conscious and ...