The imagining of disaster has intensified across a wide range of media entertainment formats and genres in recent years and themes of disaster are regularly deployed in fictional films, television drama series, drama-documentaries, comic books and video games. This being the case, it is therefore vital that film and media scholars pay attention to the ways in which disaster is presented to us, to the figurative strategies employed, to the representational history of disaster in media, to the metaphorical resonances of disaster themes, and even to the ways in which entertainment media texts might be understood as part of a broader discourse of disaster within certain historical and cultural contexts. Dramatising Disaster presents new and innovative research from both early career and more established academics. Some of the chapters in this edited collection are based upon papers originally presented at a highly successful conference study day held by the School of Film, Television and Media at the University of East Anglia in 2011, while others are specifically solicited contributions. Distinct from previous, more particularised film and media studies in this area, this edited collection is focused not upon a specific disaster or specific disaster context, but upon the wider topic of disaster in popular culture.
Again, a focus on experimental archaeology can be traced back to the 1950s, to Thor Heyerdahl's Kon-Tiki expedition (made into a film in 1950), and has persisted in television series like Secrets of Lost Empires (1997, 2000), ...
On the regeneration of Ancoats, see Blakeley and Evans, The Regeneration of East Manchester, pp. 67–70; and Crinson and Tyrer, 'Clocking off in Ancoats'. See Shelina Begum, 'Work starts on historic Murrays' Mill in Ancoats, Manchester', ...
Dystopias, Disasters, and Other Visions about the End of the World Karen A. Ritzenhoff, Angela Krewani. lated in relation to it, through a therapeutic ... Jeff Lewis, Global Media Apocalypse (Basingstoke, UK: Palgrave, 2012), 18. 3.
In NYLON YEARS, Ramin Abhari, a chemical engineer and graphic artist, weaves technology, history, and romance into a fabric spanning 40 years (of nylon).
Warwick, Kevin (2002/2004) I, Cyborg, Urbana, IL: University of Illinois Press. Waskul, Dennis D. (2002) 'The Naked ... Kristen (2010) 'The Digital Multitude', Cinema Journal 49.4: 90–110. ... Wolfe, Cary (2010) What Is Posthumanism?
Peter Krämer. Thomas (eds), Dramatising Disaster: Character, Event, Representation (Newcastle: Cambridge Scholars Publishing, 2013), pp. 124–9; and Peter Krämer, '“To Prevent the Present Heat from Dissipating”: Stanley Kubrick and the ...
Jose Biller and Alberto J. Espay, 'Alien Hand Syndrome', in Practical Neurology Visual Review (Baltimore, MD: Lippinott Williams & Wikins, 2013), 54–55. Heilman and Valenstein, The Alien Hand: Terminology and Pathogenesis, 359.
In Michael Anderson's 1976 film Logan's Run, set in the year 2274 and based on the 1967 novel by William Nolan and George Clayton Johnson, a vast domed city has been created to house the population that formerly lived in Washington, dc, ...
... Dramatising Disaster : Character , Event , Representation , edited by Christine Cornea and Rhys Owain Thomas , 120-35 . Cambridge : Cambridge Scholars Publishing . ———. 2014. Dr. Strangelove or: How I Learned to Stop.
... dramatised riddles , as in the testudo fragment of Antiopa ) , 100 but a passion for linguistic experimentation . The frag- ments , of course , often chosen as they were for their linguistic idiosyncrasies , perhaps overly represent ...