A Companion to German Cinema
- ISBN-10
- 1444345583
- ISBN-13
- 9781444345582
- Category
- Performing Arts
- Pages
- 618
- Language
- English
- Published
- 2011-11-28
- Publisher
- John Wiley & Sons
- Authors
- Terri Ginsberg, Andrea Mensch
Description
A Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement. “A Companion to German Cinema represents the cutting edge of German cinema studies that will force scholars to rethink their approach to the subject. Conceptually innovative and theoretically rigorous, the collection convincingly claims that the renewal of the field must occur from its margins.” Roy Grundmann, Boston University “This book is meant to re-envision what has been little seen, unsettle your thinking about German cinema and visual culture, and examine German cinema’s socially transformative potential.” Dora Apel, Wayne State University “Combining a path-breaking exploration of German cinema beyond the canon with a serious contribution to theories of nation and transnationalism, this collection is a much-needed addition to European film scholarship.” Rosalind Galt, University of Sussex
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