A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars. Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.
Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays.
... version itself subsequently became one of the sources for the even longer English alliterative verse Brut of La3amon, ... Latin, French, and English were all used for major genres, such as historiography, hagiography, homilies, ...
This volume is the first English-language overview of the history of Lübeck and a corrective to the traditional narratives of German historiography.
The work can also be used alongside the three Art in Theory anthologies published by Blackwell, as a further art theory resource.
With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600.
The Lord's Bell of St. Stephen, destroyed in 1945, bore the following inscription dated to 1279: Aes Deo Campana, ... For a detailed compilation of the history of the bells of St. Stephen see Gruber, “Die Glocken von St. Stephan”, pp.
The Companion to Medieval Palermo offers a panorama of the history of Medieval Palermo from the sixth to the fifteenth century.
a civic religion particular to the Low Countries, which was broadly supported in a social sense and which integrated large cities, small towns, and villages. ... Civic Ceremony and Religion in Medieval Bruges c.1300–1520.
Anderson 1977, and Weir and ]erman 1986. 97 Constable 1978, p. 208. 98 Brown 1988, p. 42299 Gerald of Wales 1979, p. 178. For magic see Lowenthal 1978. 100 Brandenburg 1989. 101 Abou-El-Haj 1988. 102 Cited in Randall 1966, p. 5.
This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book.