What does it mean to be Black? If Blackness is not biological in origin but socially and discursively constructed, does the meaning of Blackness change over time and space? In Physics of Blackness: Beyond the Middle Passage Epistemology, Michelle M. Wright argues that although we often explicitly define Blackness as a “what,” it in fact always operates as a “when” and a “where.” By putting lay discourses on spacetime from physics into conversation with works on identity from the African Diaspora, Physics of Blackness explores how Middle Passage epistemology subverts racist assumptions about Blackness, yet its linear structure inhibits the kind of inclusive epistemology of Blackness needed in the twenty-first century. Wright then engages with bodies frequently excluded from contemporary mainstream consideration: Black feminists, Black queers, recent Black African immigrants to the West, and Blacks whose histories may weave in and out of the Middle Passage epistemology but do not cohere to it. Physics of Blackness takes the reader on a journey both known and unfamiliar—from Isaac Newton’s laws of motion and gravity to the contemporary politics of diasporic Blackness in the academy, from James Baldwin’s postwar trope of the Eiffel Tower as the site for diasporic encounters to theoretical particle physics’ theory of multiverses and superpositioning, to the almost erased lives of Black African women during World War II. Accessible in its style, global in its perspective, and rigorous in its logic, Physics of Blackness will change the way you look at Blackness.
In Physics of Blackness: Beyond the Middle Passage Epistemology, Michelle M. Wright argues that although we often explicitly define Blackness as a "what," it in fact always operates as a "when" and a "where." (Publisher).
Michelle M. Wright argues that although we often explicitly define blackness as a 'what', it in fact always operates as a 'when' and a 'where'.
Dance along this read into the unknown and find out that this book may be the best ever answer to ‘What is soul?'" —Chuck D, rapper and co-founder of Public Enemy *Starred Reviews* from Kirkus and Publishers Weekly!
Paris: A. Michel, 1992. . Maman a un amant. Paris: A. Michel, 1993. Bhabha, Homi K. "Anxious Nations, Nervous States." Critical Inquiry 6 (winter 1991): 204. Biddiss, Michael. Father of Racist Ideology: The Social and Political Thought ...
Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of 'whiteness' to the practice of chemical skin-bleaching to the government's active promotion of Pan-African 'heritage tourism'.
Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice.
"Black Quantum Futurism (or BQF) is a new approach to living and experiencing reality by way of the manipulation of space-time in order to see into possible futures, and/or collapse space-time into a desired future in order to bring about ...
In Speculative Blackness, André M. Carrington analyzes the highly racialized genre of speculative fiction—including science fiction, fantasy, and utopian works, along with their fan cultures—to illustrate the relationship between genre ...
This is a gorgeously written and compulsively readable novel about the transformative power of love, heralding the arrival of an extraordinary new voice in teen fiction, Jasmine Warga.
Indigenous movements, in particular, had accused these institutions of marginalizing their issues for decades (Williams 1990; Hale 2002). Rather than simple diffusion, the emergence of indigenous rights in international legal discourse ...