Bringing fresh insight to a century of writing by Native Americans The Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politics Meticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.
Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition.
His most recent book is Cherokee Stories of the Turtle Island Liars' Club (University of North Carolina Press, 2012), a collection of forty interwoven stories, conversations, and teachings about Western Cherokee life, beliefs, ...
... Political Arrays of American Indian Literary History , 120 . 16. For further reading on Whitman's representations of Native Americans , see Bruchac , " To Love the Earth " ; Folsom , Walt Whitman's Native Representations ; and Kenny ...
... 223 Skånland, Marie Strand, 81, 82, 84 Slipperjack, Ruby, 16 Smith, Charlie, 34 Smith, Marian W., 47, 48 Smith, Mona, 147, 148, 150, 244n43 social justice, 110, 154,243n34 social positionality, 183, 210 Society of American Indians, ...
Also available in this series: The Routledge Handbook of International Beat Literature Edited by A. Robert Lee The Routledge ... and Natasha Lvovich The Routledge Handbook of Star Trek Edited by Leimar Garcia-Siino, Sabrina Mittermeier, ...
... American Indian Quarterly 31, no. 3 (Summer):465– 90. Cook- Lynn, Elizabeth. 1997. “Who Stole Native American Studies?” Wicazo Sa Review 12, no. 1 (Spring): 9–28. Cox, James H. 2019. The Political Arrays of American Indian Literary History ...
... The Politics of Native American Detective Fiction.” In The Political Arrays of American Indian Literary History, by James H. Cox, 177–206. Minneapolis: University of Minnesota Press, 2019. Cox, James H. “Native American Detective Fiction ...
The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which considers visual, audio, and geographic sites of racial representations ...
The Christian educational impulse was not, of course, Bishop Hare's lone invention. It was present in the federal government and the Indian nations when they made several early treaties dealing with Indian education, among them the ...
... Anthropologists and the Rediscovery of America , 1886-1965 ( Cambridge : Cambridge University Press , 2010 ) , 4 . 15 Susman , Culture as History , 153 . 16 Susman , Culture as History , 156-7 . 17 18 Bendix , In Search of Authenticity ...